Book Review – The Full Cupboard of Life

The Full Cupboard of Life is the fifth in The No. 1 Ladies’ Detective Agency series of novels by Alexander McCall Smith, set in Gaborone, Botswana, and featuring the Motswana protagonist Precious Ramotswe as principal detective.

In this novel, Mma Ramotswe is asked to vet the four men offering marriage to one woman, who cannot tell which of them wants her money and which is in love with her. Mma Makutsi moves to new quarters, which her raise in pay and promotion allow. Mr JLB Matekoni gets roped into doing a parachute jump at a fundraiser for the orphan farm. He persuades his apprentice to do it instead of him; but there is a bigger reason to get Mr JLB Matekoni to that event. Mma Potokwane has arranged his wedding to Mma Ramotswe.

Must Watch Movies – Coco

Coco is a 2017 American computer-animated fantasy film produced by Pixar Animation Studios and released by Walt Disney Pictures. Based on an original idea by Lee Unkrich, it is directed by him and co-directed by Adrian Molina. The film was scripted by Molina and Matthew Aldrich from a story by Unkrich, Jason Katz, Aldrich and Molina. Pixar began developing the animation in 2016; Unkrich and some of the film’s crew visited Mexico for research.

The concept for Coco is inspired by the Mexican holiday Day of the Dead. The protagonist, Miguel, is a twelve-year-old boy in the fictional Mexican town of Santa Cecilia—named for the patron saint of musicians—and he is trying to get out from under the shadow of his great-great-grandfather, who left his family to pursue a career as a musician. His wife, the ferocious Mamá Imelda, was left to take care of their young daughter, Coco. She instituted a permanent household ban on music and started making shoes.

We meet Coco as an old woman. Her daughter, Miguel’s grandmother, now runs the family and its shoemaking business with an iron chancla. Earnest, sweet Miguel teaches himself to play the guitar in the attic, watching and re-watching tapes of the bygone star Ernesto de la Cruz. On the Day of the Dead, he accidentally shatters a framed photograph on the family ofrenda, then spots a hidden detail in the picture, one that makes him suspect that his wayward ancestor was in fact de la Cruz himself. He sprints to the town mausoleum, hoping to borrow de la Cruz’s guitar and prove the value of music to his family. Instead, the guitar turns Miguel invisible, and whisks him across a skybridge covered in thick, soft marigold petals that glow like lava. He falls to his knees in the petals, and then looks up to see a grand floating metropolis, confetti-colored in the darkness: the Land of the Dead.

The rest of the movie are mostly set in this city of jubilant sugar-skull skeletons, where you exist only as long as you are remembered by the living. It is believed that you can cross over to the living world on the Day of the Dead, but only if your photo is on display. Miguel joins up with a raggedy show-biz hustler named Héctor, who’s desperate to get his picture back up on an ofrenda, and who says he can bring Miguel to de la Cruz. Héctor lives in a waterfront shantytown filled with people who are about to be forgotten; at one point, he begs a guitar for Miguel off an ill-tempered cowboy named Chicharrón, who vanishes as soon as Héctor finishes singing an old dirty song.

Eventually, Miguel realizes that Héctor is his real ancestor, and the movie sprints to a conclusion that’s as skillfully engineered to produce waterworks as the montage at the beginning of “Up.” But until the end, “Coco” is mostly, wonderfully, a mess of conflict and disappointment and sadness. Héctor seems to have failed everyone who takes a chance on him. Miguel’s face, painted in skeleton camouflage, often droops as if he were a sad little black-and-white dog. “Coco” is animated by sweetness, but this sweetness is subterranean, bursting through mostly in tiny details: the way that both Mamá Imelda and Miguel’s grandmother brandish shoes when they’re angry; or how the daffy Xolo dog that accompanies Miguel on his adventure is named Dante; or how the skeletons return to their city through the Day of the Dead’s efficient, declaring the churros and beer that their families gave them for their journey home.

It is Pixar’s nineteenth movie, but its first with a non-white protagonist; Lee Unkrich, the director and creator of the initial story, is white. The movie’s working title was “Día de los Muertos,”. But Unkrich and his team approached their subject with openness and collaborative humility. It grossed more than eight hundred million dollars worldwide, won two Oscars, and became the biggest blockbuster in Mexican history.

Coco premiered on October 20, 2017, during the Morelia International Film Festival in Morelia, Mexico. The film was praised for its animation, voice acting, music, emotional story, and respect for Mexican culture. The film won two Academy Awards for Best Animated Feature and Best Original Song, “Remember Me”.

saint of the day – Dec 26, 2021

Saint Stephen ​

Martyred circa 36 AD, Stephen has become the proto-martyr or the first martyr of Christianity. We find allusions to him in the Acts of the Apostles and his feast day is celebrated on the next day of Christmas. “As the number of disciples continued to grow, the Greek-speaking Christians complained about the Hebrew-speaking Christians, saying that their widows were being neglect-ed in the daily distribution. A proposal to appoint Stephen for the task was accepted. Certain Jews, members of the Synagogue of Roman Freedmen, debated with Stephen, but proved no match for the wisdom and spirit with which he spoke. They persuaded others to make the charge of blasphemy against him. He was seized and carried before the Sanhedrin. In his speech, Stephen recalled God’s guidance through Israel’s history, as well as Israel’s idolatry and disobedience.

REFLECTION

While they were stoning Stephen, he prayed, “Lord Jesus, receive my spirit.” Acts 7:59

The life of St. Stephen is given to us as a true model of Jesus. They both died forgiving those who killed them. True Christian martyrdom is an act of love. If we completely spend ourselves for the faith, but do so with bitterness and hatred, is it really a Christian act? Whether we find ourselves sweeping the streets or preaching in missionary lands, it is the love inspiring the act that makes it truly Christian. God is love. We, too, must become love. Today, search your heart and see if there is any bitterness or harsh judgment therein. Offer it up to Jesus for him to cleanse it. Then, make every act of this day an act of love.